It’s hard to say which is more impressive on “Fire From the
Sky,” the new album from Shadows Fall; is it the sheer number of metal shadings
the band pulls into its sound or the masterful precision Shadows Fall employs
in stitching together this multifaceted masterpiece?
“Fire From the Sky,” released May 15 on Razor & Tie, is
relentless through 41 minutes as the band taps a vein of darkness to draw out
bits of melodic hard-core and chunks of old-school head banging to add to its
solid foundation of modern thrash.
Adam Dutkiewicz from Killswitch Engage produced “Fire From
the Sky,” and this fellow Masshole knew
how to get the best out of his comrades. Each song is layered and knotted with
dynamic shifts and turns that create an overall huge sound. So even when
idling, the tunes are ferocious. And when guitarist Jon Donais kicks in a rocketing
solo, or bassist Paul Romanko conjures a pealing funeral bell, such accents are
that much more pronounced against the hulking sonic background.
Singer Brian Fair is the ringleader here, swinging from
thrash-y rasp to death growl to sinister big-rock invocations _ sometimes all
within a single track. Whenever the singer seemingly hits a plateau, another
element of the band_ be it a swelling vocal chorus, brutal rhythmic breakdown,
or searing guitar work_ flares up, prompting Fair to make a stylistic leap.
Writing wise, Shadows Fall keeps it dark and angry. “The
Unknown” and “The Wasteland” serve as towering bookends opening and closing
the album respectively. Both are bleak and caustic, with the difference being
how “The Unknown” is an inward lament and “The Wasteland” tallies destruction
on the outside.
“Divide and Conquer” and “Blind Faith” have a political edge
to them, the former happy to foment dissent and latter offering caution to
those unwilling to question their leaders. The band responded to recent
opiate-related deaths in the metal world with the Sabbath-y “Nothing Remains”
and militant stomp of “Walk the Edge.”
“Fire From the Sky” is simply more world-class metal from Springfield’s under-sung
demon sons.
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